They’ve not only won the honorable title of BBC’s Sound of 2013, but they’ve supported everyone from Florence + The Machine to Mumford & Sons, and have landed solo slots at pretty much every major festival, including Glastonbury. Their debut album, Days Are Gone, is about two weeks away from release, and yet, somehow, they have already solidified themselves as an important, relevant, and exciting musical act. The trio is made up of three sisters from California, Este, Danielle, and Alana, and these chicks kick some serious ass. There is a musical band that exists named Haim, and they are the best group in the world today. But we needn’t worry there’s no denying that for Haim, their days aren’t gone, but just beginning.For those of you who are unfortunately in the dark, let me bring you into the light. In fact, by the time the hauntingly darker, semi-synthesized ‘Running If You Call My Name’ closes this 11-track debut, unforgettable melodies will linger to ease the slight disappointment that it doesn’t last as long as I’d like. Featuring old and new, the expected (‘Don’t Save Me’) and the unexpected (‘My Song 5’), it creates its own spectral glow that it proceeds to deservedly bask in. Overall, Days Are Gone showcases the band’s individual strengths that have been pulled together to create a collective group with intensity and depth of potential. ‘Honey & I’, with its muffled chords and tender narratives – “I know there’s nothing good in goodbye” “This song can’t be played alone / It was made to be played with my honey and I” – layers irregular beats atop unpredictable yet precisely timed vocals and harmonies, building towards a riotous refrain that pulls back to a restrained chiming. The first of four brand new songs on the record, ‘If I Could Change Your Mind’ is a feverish, sultry clattering of cymbals that swells into an earnest stream of consciousness, nostalgia, possibilities, and regret.
‘The Wire’ is a passionately catchy live-favourite with a chorus and cyclic stick-in-your-head rhythm that deserves crowd clap-and-sing-alongs. Without the old there would be no new, however, as shown by follow-up track ‘Forever’ which is still a strong reminder of why our ears excitedly stood to attention last March. Echoes bounce off each other and drums hammer their way irregularly beneath delayed guitar riffs to build towards a united exclamation – “never look back and never give up”. Days Are Gone opens with ‘Falling’, a pulsating, resonant reminder that you can’t stand up without falling down. Now that that’s all out of the way, let’s talk about the record. And that’s how it – and all albums, regardless of gender and sidestepping stereotype – ought to be considered. Days Are Gone is not ‘just another record by just another girl band’ but a record, by a band, who are all women. But, the reason I’m pointing all this out is because really, this ‘girl band’ can relax about the struggle. It is a stigma that, all in all, is both fading and unnecessary, but my views on its existence at all are obviously better suited to expression on a blog which in no way would reflect the views or opinions of the BBC and so forth. There is no denying, however, that there is a stigma that lurks beneath the generally positive, empowering ideas that equate ‘female’ and ‘in a band’ – which is why Haim’s declaration of struggle wasn’t perhaps all that surprising after all.
Now I’m not going to delve into the politically correct – or incorrect – guidelines of what is or isn’t considered sexist in the music industry and/or if that’s even an issue, because a) I am bound to upset someone, which is not the reason I’ve brought this up or b) considering girl band vs boy band (or perhaps, ultimately, girl vs boy) isn’t going to do the trio any favours, since it would probably highlight uncomfortable differences, ideas and opinions which would in turn bring us back to point a) etc., and quite frankly, walking around in circles is both dizzying and pointless.
Embarking on this review, I was surprised to read one day that Haim claim to have struggled to be seen as “more than just a girl band”.
0 kommentar(er)
